pensamientos de 4 \"Contact\"

  1. Je découvre des images de votre mise en scène de Madame Butterfly au Deustche Oper am Rhein. Je suppose que c’est la même que celle qui sera donnée à Peralada les 7 et 9 août. Je travaille pour le site français ODB Opéra et je dois assister à la représentation du 9 août. Je ferai un compte rendu de ce spectacle sur le site ODB Opera le 11 août.
    Je crois avoir compris que vous situez l’action avant et après le bombardement de Nagazaki. Pouvez-vous m’expliquer les raisons de ce choix et les effets dramaturgiques que vous en attendez.
    Merci d’avance.
    Bien cordialement
    J. Jordy

  2. Dear Joan Anton,

    How are you?
    My name is Justin Arienti and I am a set and costume designer.
    I’ve written a letter to you in April at Musiespaña in Madrid, but I am not sure it has arrived properly so I try writing to you an email on here and see.
    I am a big fan of your work, I would really like to show you my work and see if there is a chance to collaborate with you in the feature.
    I am based in London and I am happy to travel to meet you if possible.
    I hope the virus hasn’t affected much you, your dear ones or your work, its such a dark time.
    Wish you a quick and full recovery and a new dawn out of this sad chapter.
    I am looking forward to hear from you soon,
    All the best

    Regards

    Justin Arienti
    http://www.justinarienti.com
    @justinarienti

    1. Dear Justin,
      How are you? Hope everything is going well in this strange times. I didn’t receive anything from Musiespaña. I’m really sorry. Just saw your message here.
      Thanks for your kind words about my work. I would love to see yours, of course. Could you send me some material to my email? I’m right now in Andorra and to meet in person can Be more difficult. I pass you also my email.
      rechi@joanantonrechi.com. Also my phone number: +34633313582.
      I’ll take a look and then we can talk. I’m always open to meet new collaborators!!

      Best wishes and thanks one more time.

      J. A.

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